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新加坡金沙娱乐城2021年欧洲杯四强是谁 | 推选|白川个展——虎的迷路

新加坡金沙娱乐城2021年欧洲杯四强是谁美高梅中国

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EXHIBITION

白川个展——

虎的迷路

策展东谈主:李子健

艺术总监:滕青云

专揽:三影堂厦门照相艺术中心

延期:2023.09.23 - 10.29(周一闭馆)

地址:厦门阛阓好意思区杏林湾营运中心2号楼裙楼三层

● Please scroll down for English

咱们可能若干齐有过近似的资历,在某一个一霎忽然感受到纯熟的事物变得无比目生:约会上的欢声笑语酿成了无敬爱的杂音,纯熟的亲一又仿佛成为外东谈主;在相册中看到猜度之外的合影,仿佛我方的记挂是一场骗局; 或者在梦里,刚烈到我方孤苦于我方的虚幻。这些“局外东谈主”的技巧,大略在请示着咱们,由咱们纯熟的规矩和感性所组成寰宇仿佛被咱们本人所拒却。

选自《始于爱情,终于疫情》系列

新加坡金沙娱乐城

This Animal Year Series

白川的这一系列作品《始于爱情,终于疫情》拍摄了12年,开始遴荐虎头面具的原因也很肤浅,虎便是他的属相。这个凶煞的老虎面具伴随着他资历家庭变故,见证家乡的变化和劳动的发展,以及目睹无数琐碎的平日片断。展览的主体即是由这一系列相片组成的记挂长廊,莫得具体的时候和东谈主物脚迹,就像咱们遽然堕入回忆时那般,过往的技巧马上地浮现。

选自《始于爱情,终于疫情》系列

This Animal Year Series

选自《始于爱情,终于疫情》系列

This Animal Year Series

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在这些相片里,虎头多数由他指导,随机也会是拍摄现场中的别东谈主,虎头面具掩蔽了一切花式,不管是在何种情境,阴毒的虎头东谈主老是狼狈地盯着镜头,时而举起手枪对向我方。这无疑成为了这一系列相片中抓续的刺点,将那些仅属于私东谈主的技巧,千里闷的社会庆典和悲伤的心境完全商量。

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咱们在相片中看到的,是一种令东谈主欷歔的纯熟的目生感。家庭合影,约会相片,旅行眷恋,这些在这个时期的咱们齐多半领有的相片,在白川的演绎下变得目生。相片中的带着虎头的东谈主似乎孤苦于相片的时空之外,仿佛一个闯入的外东谈主,拒斥着规矩和惯习,或是荫藏着被摄者的心境。从这个角度而言,我在白川作品里看到的,是他对那些在他性射中不可捉摸的客体或遭受的痴迷,并以照相的方式,去唤起他们的积极修起。

选自《始于爱情,终于疫情》系列

This Animal Year Series

选自《始于爱情,终于疫情》系列

This Animal Year Series

“咱们一经瓜剖豆分,因而弗成条目外东谈主和会于此,更弗成追缠他们,而是将他们迎入怪怖之中,因为这种怪怖既属于他们又属于咱们。”克里斯蒂娃在《咱们本人的外东谈主》中征引弗洛伊德的弘扬去描摹主体与外东谈主遭受时的异样感受,这种目生的感受并非是因遭受外东谈主,而是从根底上,来自于咱们本人里面,那些瞒哄的,咱们关于本人的目生。在白川朝上一旬的照相迷路中,他呈现即是如斯的遭受,那些在目生和稔熟之间,迷东谈主的刺点。

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● 文/李子健

艺术家

白 川

www.kingofgamblingzonehomehub.com

白川,照相师。

展览:5PRCITY, United Nude Miami,迈阿密,好意思国(2010);The Sixth International Month of Photography in Moscow: Photobiennale 2006,莫斯科,俄罗斯(2006);个东谈主展览《爱你比海深》,第二届连州国外照相年展,连州(2006);个东谈主展览《许竹》、《通谈》,第一届连州国外照相年展,连州(2005)。

Bai Chuan's Solo Exhibition -

Tiger, the Uncanny

2021年欧洲杯四强是谁

Curator:Li Zijian

Art Director:Teng Qingyun

Organiser:Three Shadows Xiamen Photography Art Centre

Duration:Sep 23, 2023 - Oct 29, 2023

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Venue:3rd Floor of Building 2, Xinglinwan Business Centre, Jimei District, Xiamen

We have all experienced moments where the familiar suddenly transforms into an overwhelming sense of uncanny strangeness. Laughter and merriment at parties can become meaningless noise, close friends and loved ones appear as strangers, and unexpected group photos in an album make one question the authenticity of his or her memories. These moments of feeling like an outsider are reminders that the world, constructed by the rules and rationale we are accustomed to, is somehow rejecting us.

选自《始于爱情,终于疫情》系列

This Animal Year Series

Over the course of 12 years, Bai Chuan created his series \"This Animal Year\". His initial choice of the tiger mask was quite simple – the tiger is his Chinese zodiac sign. This foreboding tiger mask accompanied him through the ups and downs of life, witnessing family upheavals, changes in his hometown, career developments, and countless mundane moments in daily life. The core of this exhibition is a memory corridor comprised of this series of photographs, devoid of specific timestamps or character clues. It's akin to suddenly getting lost in memories, with moments from the past randomly flooding in.

选自《始于爱情,终于疫情》系列

This Animal Year Series

皇冠客服飞机:@seo3687

选自《始于爱情,终于疫情》系列

This Animal Year Series

In these photos, most often, it's Bai Chuan himself donning the tiger mask, while at times, others are in the midst of a photo shoot. The tiger mask obscures all facial expressions, and no matter the context, the fierce tiger-headed figure always gazes numbly into the camera, sometimes even pointing a gun towards herself or himself. Undoubtedly, this constant element has become a punctum throughout the series, negating the private moments, somber social rituals, and poignant emotions. What we see in these photos is a strangely familiar yet surprising sense of uncanny strangeness. Family portraits, party snapshots, travel souvenirs – the photos that many of us possess abundantly in this era all become unfamiliar under Bai Chuan's interpretation. The tiger-headed individuals in the photos seem detached from the time and space within the images, almost like intruders rejecting norms and customs, or concealing the emotions of those being photographed. From this perspective, what I discern in Bai Chuan's work is his fascination with objects or encounters that elude his grasp in life, and his endeavor to evoke their positive responses through photography.

选自《始于爱情,终于疫情》系列

This Animal Year Series

\"Freud brings us the courage to call ourselves disintegrated in order not to integrate foreigners and even less so to hunt them down, but rather to welcome them to that uncanny strangeness, which is as much theirs as it is ours.\" As Julia Kristeva quote Freud in \"Strangers to Ourselves\" when the subject encounters strangers, the feeling of strangeness doesn't stem from the encounter with others but fundamentally arises from within ourselves, from those concealed aspects of ourselves that remain unfamiliar. Throughout Bai Chuan's decade-long photographic journey, he indeed presents the encounters of this nature - those punctum between the unfamiliar and the familiar.

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